Talk Talk Talk Talk Talk Myself to Death: Hard-Fi (and a Question)

Thursday, January 26, 2006

Hard-Fi (and a Question)

I went out a couple of nights ago to see Hard-Fi, a new band from the outskirts of London. I'd heard their song "Tied Up Too Tight" on the Q year-end CD and liked it, so I figured I'd give them a try. Although their album is available here on import (at what seem to be particularly high prices, by the way), it won't be available as a domestic until March. They had a real Clash-during-a-dub-phase thing going on (think "Armagideon Time," "Bankrobber," much of Sandanista!), so I guess I can't hold it against frontman Richard Archer for doing his best Joe Strummer. Although they claim the Specials and Joy Division as influences, as well, those were harder to spot at the show. Their energy was high, the songs were decent (though not incredibly catchy--I can't bring anything but "Tied Up Too Tight" to mind at the moment), and it was a fun show. I'm looking forward to the album. If I can find it here, I may even pick up their DIY first run-through of the album on import.

But I've got a question about what's acceptable when playing live these days. Computers make it easier than ever to reproduce sounds manufactured elsewhere, so where's the line on what's appropriate and what's not at a concert? There are four members of Hard-Fi (only three of whom are touring the States), and they all seemed to actually be singing and playing the guitars, bass, drums, and melodica. But their music also includes keyboards and synths, and there were no keyboards anywhere in evidence. The sounds seemed to have been reproduced by a roadie on a soundboard at the side of the stage (although I'm assuming that the actual live mix went through the normal soundboard at the back of the room). Performers get criticized for using taped or augmented vocals all the time (for a little while, it even looked like Ashley Simpson's whole career might be taken down by her Saturday Night Live tape faux pas), but what's the story on reproducing electronic sounds? If you've got recordings in your computer, do you have to be a full-fledged member of the band to hit Alt-Control-G or whatever at the right moment on stage? Or do we have an ethos in which the "organic" sounds should be reproduced live but the "inorganic" electronic instrumentation doesn't matter?

I'm not intending to single out Hard-Fi for this question, it was just their show that brought it to mind. I imagine this applies to anybody who uses a synth in live shows, which I suspect is pretty much everybody nowadays. Even a boy and his acoustic guitar can get sidetracked through a phase shifter.

3 Comments:

At 8:37 AM, January 27, 2006, Anonymous Anonymous said...

This brings to mind seeing Depeche Mode and They Might Be Giants live. I always wondered exactly what the members of Depeche Mode were doing as they stood at their keyboard/synths during the whole show. I remember only David Gahan not being parked at a synth. So everything they were playing could have been "taped" and only the singing live.

John and John (TMBG) would play instruments or sing with recorded backup, but they weren't trying to act like someone was there playing. They were upfront that all of their music was produced on a Mac. It's been almost 20 years since I've seen them, but I assume they're doing the same thing.

 
At 9:59 AM, January 27, 2006, Anonymous Anonymous said...

I was thinking more of Kraftwerk, who will sometimes leave the stage altogether and allow their "robot" replicas to fill in, but Depeche Mode is another good example. Maybe part of the question comes down to what we expect from a live show. First of all, that includes entertainment, so if They Might Be Giants entertain by using tapes unashamedly, maybe that's not a problem. The same might be said of Hard-Fi--they certainly weren't trying to pretend a keyboard player was there on stage with them.

 
At 4:43 PM, January 27, 2006, Blogger Don said...

TMBG actually tours with a live band now and has for several years.

As to the point, I don't have a problem with it so long as the purpose is to augment the sound with interesting things they coudln't do on their own. If it's a crutch so they don't have to play and risk mistake or sounding bad, then it's reprehensible.

The Flaming Lips shows have incredible sound that they couldn't possibly play just the three of them. In fact one show I heard broadcast supplementing musical sound over an FM channel and they invited concertgoers to bring their radios and headphones to have a different musical experience from non-radio listeners in the hall. So it can be used to very cool effect.

 

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